SoundSpace™ Experiences
Sound Science Education:
• Experience a unique space for acoustical learning
• Explore the design of the first modern, acoustically-tuned chambered mound, bridging ancient wisdom and technology
• Study the history of chambered mounds worldwide
• Engage with the “looming response,” a sense of approaching force
• Confront primordial darkness and feel the physical presence of sound throughout your body
Musical Performances and Recordings:
• Attend Soundscape performances that inspire and move you
• Enjoy profound music, singing, theater, ceremony, and chanting by vocalists, musicians, and unique sound-producing devices
Spiritual Growth:
• Enter a transformative space for spiritual, shamanic, otherworldly, and multi-dimensional experiences
• A sacred place for prayer, meditation, chanting, singing, and toning
Healing Experiences:
• Discover the effects of 111 Hertz, a resonant frequency that alters brain activity
• Attend workshops on standing waves, Helmholtz resonance, chanting, sound healing, music therapy, and finding your Sacred Voice
• Experience total silence as an antidote to life’s noise and embark on a sonic journey into unknown realms of the mind.
The Visitors: Educators, students, meditators, musicians, performers, researchers, workshop leaders, and vocal groups will journey from near and far to visit SoundSpace. It will be a safe, ADA-accessible, and welcoming place for everyone. The completed SoundSpace Chambered Mound welcomes visitors from around the world, including educators, meditators, musicians, performers, researchers, workshop leaders, and vocal groups, e.g., singing, chanting, and toning.
Part of a 500-Year Plan
Earth Sanctuary is a peaceful and magical place for personal renewal and spiritual connection open to the global community. It’s a 72-acre Nature Reserve, Sculpture Garden, and Retreat Center where art, ecological restoration, and spirituality converge. Earth Sanctuary engages the community through nature trails, three bird-filled ponds, and a variety of sacred spaces that highlight diverse global spiritual traditions. It’s located on South Whidbey Island, 100 minutes north of Seattle.



SoundSpace will join 11 other sacred spaces already embedded at Earth Sanctuary. Earth Sanctuary is the brainchild of Chuck Pettis, who along with collaborators, has been shaping the land and the sacred spaces since 2000. There is a 500-year plan in place to return Earth Sanctuary to an old-growth forest with over 15,000 native plants and 3,350 trees planted to date. Earth Sanctuary enhances biodiversity, fights climate change, and creates spaces of profound peace and beauty.
Chuck Pettis is a visionary environmentalist and has dedicated over 50 years to studying ancient monuments. At Earth Sanctuary, he has created two stone circles, two Native American Medicine Wheels, a labyrinth, a Buddhist Stupa, a Neolithic dolmen, and four contemporary sculptures. The author of Secrets of Sacred Space has been recognized for his significant contributions to environmentalism and spirituality.
The Archetypes of the SoundSpace Chambered Mound
The archetypes surrounding this project are all potent: death, initiation, return to the womb, confronting the dark, finding one’s voice, all with the purpose of opening to the Source and Rebirth. These archetypes are primal. They evoke fear, awe and demand respect. The time we are living through is bringing up many issues around being in confined places, fear and death. Never has there been a collective time when we are more in the dark, more in need of a vision to move us forward. Having a place such as the Earth Sanctuary SoundSpace Chambered Mound available is needed to explore and heal issues around these archetypes and how they are manifesting in our lives. The potential for multi-dimensional transformative spiritual and therapeutic experiences is huge.
–Susan Elizabeth Hale, an internationally renowned music therapist and the author of Sacred Space Sacred Sound: The Acoustic Mysteries of Holy.
References – Articles
- The sounds of transformation: Acoustics, monuments, and ritual in the British Neolithic by Aaron Watson, Chapter 12 in the Archaeology of Shamanism, edited by Neil S. Price, Routledge. 2001.
- The Architecture of Sound in Neolithic Orkney by Aaron Watson and David Keating, Chapter 22 in Neolithic Orkney in its European context, edited by Anna Ritchie, 2000.
- Architecture and sound: an acoustic analysis of megalithic monuments in prehistoric Britain, Aaron Watson and David Keating
- Architecture and sound: an acoustic analysis of megalithic monuments in prehistoric Britain, Watson, A. and Keating, D. 1999. Antiquity 73, 325-36. Reprinted in Darvill, T. and Malone, C. (eds) 2003. Megaliths from Antiquity, 363-76. Cambridge: Antiquity.
- Neolithic Monuments: sensory technology by John Was & Aaron Watson, Time and Mind, The Journal of Archaeology, Consciousness and Culture.
- Notes on the Chambered Mound for Earth Sanctuary by Aaron Watson and John Was, May 2021. [I can add a link to this PDF to the website]
- Comments on the ‘Earth Mound’ project by Aaron Watson and David Keating. 2004.
- Ancient Architectural Acoustic Resonance Patterns and Regional Brain Activity by Ian A. Cook, Sarah K. Pajot, Andrew F. Leuchter. Time and Mind: The Journal of Archaeology Consciousness and Culture, Volume I – Issue I, March 2008, pp 95-104.
- Acoustical resonances of assorted ancient structures, Robert G. Jahn, Paul Devereux, Michael Ibison, February 1996, The Journal of the Acoustical Society of America.
References – Books
- Stone Age Soundtracks: The Acoustic Archaeology of Ancient Sites by Paul Devereux, Vega, 2001.
- Sacred Space, Sacred Sound: The Acoustic Mysteries of Holy Places by Susan Elizabeth Hale, Quest Books, 2007.
- Archaeoacoustics Edited by Chris Scarre & Graeme Lawson, University of Cambridge, 2006
- The Chambered Cairns of Orkney by J. L. Davidson & A. S. Henshall, Edinburgh University Press, 1989.
- Spaces Speak, are you listening? Experiencing aural architecture, Barry Blesser and Linda-Ruth Salter, The MIT Press, 2007.